Dr. Leanne Clement is a graduate of The School of Music at Louisiana State University, where she received her Doctorate of Musical Arts as well as her Master of Music degrees in vocal performance. Prior to moving to Louisiana, Leanne received her Bachelor of Arts in English from the College of William and Mary in Virginia. As a mezzo-soprano, Leanne’s roles include Azucena in Verdi’s Il Trovatore, Florence Pike in Britten’s Albert Herring, both with Opera North, the Third Lady in Mozart’s Die Zauberflote, with Opera in the Ozarks and Opéra Louisiane, the title role in Britten’s The Rape of Lucretia with LSU Opera, The Old Prioress in Dialogues of the Carmelites, also with LSU Opera and the Mother in Hansel and Gretel with Opéra Louisiane. Recently she performed the role of Erda in Opéra Louisiane’s reduction of Wagner’s Ring Cycle and will be seen in 2017 with the Baton Rouge Symphony Orchestra as the alto soloist in Mendelssohn’s Elijah and again as a soloist for Opéra Louisiane’s 10th anniversary gala. Leanne began working part-time for Opéra Louisiane in the fall of 2008 and later became the Director of Development and Administration in January of 2009. She has served as General Director of Opéra Louisiane since 2011.
Conductor and pianist Michael Borowitz has served as Music Director for Opéra Louisiane since the 2012-13 season. Borowitz is also Music Director of LSU Opera. For nine years he was Artistic Director of Nevada Opera, and for five seasons he was Music Director for Ohio Light Opera. Borowitz has been a guest conductor for Des Moines Metro Opera, Opera Delaware, Baltimore Concert Opera, Pensacola Opera, AVA Ballet, Eastman School of Music, Opera Idaho, Opera Southwest, Rimrock Opera, Opera Columbus, The Reno Philharmonic and the LSU Symphony Orchestra, as well as assistant conductor with The Metropolitan Opera, Indianapolis Opera and Cleveland Opera. His current recordings (all on the Albany label) include Offenbach’s Bluebeard, Kern’s The Cabaret Girl, Herbert’s Mlle. Modiste (also released on DVD by Operetta Archives), and Gilbert and Sullivan’s Ruddigore and Patience.
Molly Dahlberg holds a Master of Music degree in Vocal Music Performance from Louisiana State University and a Bachelor of Arts in Music and French from Grinnell College. Before joining Opéra Louisiane’s administrative staff in 2012, Dahlberg worked with Opéra Louisiane as Properties Assistant for The Barber of Seville in 2010 and as a Community Chorus member for Faust, Amahl and the Night Visitors and CHORUS! in the 2011-2012 season. On stage with Opéra Louisiane, she has sung Hansel in the 2012-13’s Hansel and Gretel and Flosshilde/Siegrune/Erste Norn in The Ring. Dahlberg is also a voice teacher at Center Stage Performing Arts Academy in Gonzales, and a freelance mezzo-soprano.
McKenzie Miller has worked and performed with Opéra Louisiane since moving to Baton Rouge in 2015. She recently earned her Master of Music degree from Louisiana State University, where she studied with Dennis Jesse. Before moving to Louisiana, McKenzie received her Bachelor of Music at the University of Missouri – Columbia. In Missouri, she worked with Columbia Choral Arts Alliance, taught with Columbia Academy of Music, and cataloged extensive Victorian musical iconography as a research assistant. Recent operatic performances include such roles as Donna Elvira in Don Giovanni, Countess Almaviva in Le Nozze di Figaro, Anne Truelove in The Rake’s Progress, and Johanna in Sweeney Todd. In the Baton Rouge community, McKenzie enjoys performing with Red Shift choir, Louisiana Sinfonietta, and maintains a private voice studio.